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Makito Koenji is a curry chef with a mysterious past who helps Yui Sonezaki keep her father's curry restaurant, Ganesha, open through a lack of customers, a hostile takeover attempt by a huge company, and many other challenges. Get addicted... to Curry.
“Their bodily fluids, sweet like nectar, will make you drunk.” Clad in the fragrance of depravity and death, these beautiful fruit twins spiral into madness once human sexuality rears its ugly head…
A short one-shot about a girl name Tchie as she reminsces the time she had with her two best friends.
The love, hatred and pains of adolescents. What about you? Do you have the same troubles? Han Che and Jiang Yichen like each other, but both of them are shy and sensitive. As a result, the relationship between them gets more and more strained. Xu Chen, a boy who always takes advantage of Han Che, makes fun of Han Che each time he meets him, which, on the other hand, gives Xiao Xinan who has a crush on Jiang Yichen a chance to get close to him.
A graveyard in contemporary Israel has an unlikely visitor. The elderly gentleman from Japan, a former news correspondent, lays a bouquet of flowers at the tomb of one Adolf Kamil. For he remembers the tale of three Adolfs: Kamil, a Jew who grew up in Kobe, Japan, the son of a baker; Kaufmann, only child of a German consul stationed at that port city and his Japanese wife; and the Fuhrer with whom the Far Eastern nation made common cause. ---- **Won the 10th Kodansha Manga Award for General Manga in 1986, shared with Makoto Kobayashi's What's Michael?**---**Volumes 372-376 of the Osamu Tezuka Complete Works**
Su Shuang Shuang returns home one day to find that a new tenant has moved next door. Curiosity gets the better of her and she enters his apartment to say hello, only to be met by a handsome man who had just finished showering. Much to her surprise, he quickly contacts the authorities.
Yeo Ju, planned to confess to her childhood friend through a novel and even signed with a publishing company. Yeo Ju then is bound by money when she tries to leave the publishing company. Cooky Scans is working on this^^
Nobody understands why the wicked Belinda Blanche is giving special treatment to her child servant. They don't realize she's actually from the modern world, and her servant's the hero of her favorite childcare game! All Belinda wants is to give the hero the love he deserves, but the game keeps twisting her words to make her sound like a third-rate villain. Can Belinda beat the game and figure out how to fangirl without saying a single kind word? Or will she be forced to play the bad guy forever? (Source: Tapas)
A twisted, adult, modesty office love story! Komako, who has been with the company for six months, is being disciplined by her boss, Mr Morisaki, on a daily basis. One day, she decides to go to his home to deliver something to Mr Morisaki, who has called in sick. The gap between Mr Morisaki and Komako is too big...?
Would my friends have felt regret or envy as they watched me suddenly transfer to Seoul?" Shinbi, a neighborhood resident who's lived in the same place for 17 years, is forced to leave her beloved neighborhood and move to Seoul when her older brother, Shinhye, transfers to a preparatory school. Leaving her familiar surroundings and encountering new people... Shinbi, who has never met anyone before, yearns for her old neighborhood. Will she be able to navigate this sudden shift in her mindset? A tumultuous coming-of-age story of high school students on the brink of adulthood!
Six months ago, a bookstore manager educated Minami, a high school student, about loitering and gave him a job. Over time, Minami realizes that he is slowly falling for his tough and sometimes volatile boss.
From Mangascreener: The only common feature running through these stories is a grown-up protagonist somehow coming face-to-face with his childhood past, in a testament to the loss of youth, the disillusionment of growing old, and nostalgia for better times. In the Adachi pantheon, this is a rare diametric view of his eternal theme of "youth," in this case youth as seen through the lens of the past. It's a powerful statement from Adachi that might even be an acknowledgment of his steadily-creeping age. What is impressive about these stories is not the plots or characters themselves, but the absolutely perfect way he tells them, another facet of experience that comes with age. Most of the stories may require multiple readings to fully appreciate the airtightness of the plot and visual motifs."
